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Something special for you — Darina by Alex Borisov
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- Arte Antica -
In un mio viaggio in Sicilia, terra alla quale ho origini, una zia di mia mamma, ha una grande passione. Questa passione viene chiamata "Tombolo".
Il Tombolo è una antica lavorazione a merletto. Le sue origini sono antichissime.
Ho trovato il tutto molto interessante è ho deciso di raccontarvela in questo breve portrait.
NOTA: il tutto è spontaneo e non ce niente di preparato. Il racconto di questa signora e del tutto spontaneo e genuino. Ringrazio ancora la zia di mia mamma per aver dato il consenso e per la partecipazione.
ATTENZIONE! Colori: La compressione ha distorto la gamma dei colori
Portrait by Robert RED
Robert RED: Captured | Edited | Colored
Salvina: Artisan
Music: "Open Your Head" von Ergo Phizmiz (ergophizmiz.net)
Camera/Lens: Blackmagic Pocket Cinema Camera/Panasonic Lumix
Recording format: ProRes 422 HQ
Location: Sicilia (Italy)
Email: red@robertred.ch
Website: robertred.ch
Facebook: facebook.com/followRobertRED
Vimeo: vimeo.com/channels/robertred
Cast:Robert RED
Tags:Tombolo, Arte, Art, Ricamo, embroidery, Sicilia, Sicily, Old, Style, Antica, Stile, Blackmagic, Pocket, Cinema, Artisan, Craftsman and Artigiana
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Flawless
Shot/Directed/Edited by Alex (instagram.com/alexctiv#)
Model | Jessica (instagram.com/goicoechea22#)
Music | Nao vs. A. K. Paul - So Good
Cast:alexctiv
Tags:Model, Fashion film, Beauty, Jessica Goicoechea, Videobook, Flawless and Alexctiv
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Dj Said Energizer - Follow Me
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UNIQUE MODELS - Sofie Bording
Directed, filmed and edited by: Mads Jeppesen
Music by: Snacky
Light and 2. Cinematographer: Jens Høll
Model: Sofie Bording
Make-up and hair: Malene Kirkegaard
Produced by: digidar
Agency: UNIQUE MODELS
Executive producer: Brian Johansen
Cast:Mads Jeppesen
Tags:
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CARCIO
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FAT MEAT
It`s been 5 long years since i`ve last ride my bike. Specialised and working in sphere of video production, i decided to make a short video of my riding and remembered some old forgot tricks.
Cast:Nikita Soroka
Tags:Bmx, bike, summer, sky, river, water, sand, shore, moscow, russia, jump, crash, rider, sport, extreme, underground, grunge, morning and day
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Harrison - Akira (Official Video)
From the EP "When It's Bright"
soundcloud.com/harrisonsalive
hrry.bandcamp.com/
DIRECTOR: Charlie Tyrell
PRODUCER: Kevin Dempster
DIRECTOR OF PHOTOGRAPHY: Chet Tilokani
EDITOR: Kyle Fowler
VFX: Lyte, Inc
ADDITIONAL VFX: Josef Beeby
COLOUR FACILITY: Alter Ego
COLOURIST: Conor Fisher
SOUND MIX: Andrew Reid
MANAGEMENT: Justin Peroff
justin@commonhouse.ca
Special thanks to Flatspot Skate Shop (flatspot.ca), Get Well (getwellbar.com), Grasshopper Records (grasshopperrecords.ca), and Marty.
Filming equipment kindly provided by Lyte, Inc (red.lyte.is) and The Gun Factory (gunfactoryrentals.com).
Copyright 2014
Cast:Charlie Tyrell, Chet Tilokani, Kevin Dempster, Lyte Inc., Josef Beeby and Andrew Reid
Tags:Harrison, Akira, Toronto, Charlie Tyrell, Delorean, Lightbulb, Director, Music Video, Glowing Head, Practical FX, 80s and Canada
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TIDUS / APOCALYPSE
"Apocalypse" | Written, Recorded, and Produced by TiDUS
Directed by Pace RIvers & RUFFMERCY
Produced by RUFFMERCY studios
Shot in NEW YORK
Edited & Fucked with in BRISTOL
"Apocalypse" and New Age LP ... Now Available
iTunes | bit.ly/17pynor
Spotify | spoti.fi/19VDr2z
TiDUS
facebook.com/binnagod
twitter.com/binnagod
TidusTV.tumblr.com
3|4
3qtr.com
Cast:RUFFMERCY
Tags:
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F L U X
by the courtesy of Plato Art Space (Plato College of higher education)
ilhan koman hulda festival, a journey into art and science exhibition
Ayvansaray Caddesi No:33 Balat - İstanbul
22 September - 31 october
video and sound design by Candas Sisman
commissioned by Plato Art Space (Plato collage of higher education)
thanks to :İlhan Koman, Bager Akbay, Gorkem Sen, Burcu Beslioglu, Plato Art Space (Plato collage of higher education), Koman foundation, Deniz kader
csismn.com/
PlatoSanat.com
huldafestival.org
koman.org/
A Short Animation Inspired by the Works of İlhan Koman
Plato Art Space is proud to present Candaş Şişman’s video dedicated to famous sculptor İlhan Koman produced for the exhibition İlhan Koman: Hulda Festival, a Journey into Art and Science opening on the 22nd September, 2010.
İlhan Koman’s unique design approach in his form studies also inspires contemporary art works. The video installation Flux by young artist Candaş Şişman can be defined as a digital animation which is inspired from the structural features of some of İlhan Koman’s works like Pi, 3D Moebius, Whirlpool and To Infinity... A red circle, which is colored in reference to the red radiators of Ogre, is traced in a morphological transformation which re-interprets the formal approach of Koman’s works. The continuous movement sometimes connotes the formal characteristics of Pi, 3D Moebius, Whirlpool and To Infinity..., as well as the original formal interpretations of the design principles of the works . In Flux, Koman’s design process in the making of the Pi series has been treated as the emerging of a sphere from a two-dimensional circle by the principle of increasing the surface; and that simple direction is re-interpreted in digital medium. Thanks to this, in the digital animation an entirely different form serial that does not resemble Pi yet remaining its design principle can be followed through the flow of a circle to the sphere. As a conscious attitude of the artist, this work is not designed in a direct visual analogy with Koman’s works. During the animation, none of the moments of the transforming form look like Pi or 3D Moebius, however the subjective reading of Koman’s approach can be observed.
With the integration of the sounds of various materials – which Koman used in his sculptures – Flux turns into an impressive spatial experience. Flux, also exemplifies that Koman’s work can be re-interpreted by the analysis and manipulation of form in the digital medium.
Cast:candas sisman
Tags:candas sisman, ilhan koman, plato art space, sculpture, widescreen, animation, red, sound art, installation, organic, cinema4d, after effects, csisman, flux, video art, experimental, kinetic, morphing, audiovisual and sound sculpture
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Moscow
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GEMS- "Sinking Stone"
"I'm sinking, but I'm moving faster than you've ever seen me move before."
DAZED presents a film by BRTHR ft. ATL Twins
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SUBSCRIBE to vimeo.com/channels/dazed to receive updates on select new films, or visit dazeddigital.com/video for weekly video takeovers, original documentaries, art, music and style.
Declare Independence - #dazedvisionaries
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GEMS- gems-band.com/
Director/DP/Writer/Post Production- BRTHR (brthr.net)
Executive Producers- Ravi Amaratunga, Jenn Bryne, Tom Berendsen
Prod. Company- LEGS (welcometolegs.com)
Producer- Ben Gilovitz
Blood Consultant- Andrew Thomas Huang
CAST
Boy- Kris Kidd
Girl- Krystal Schott
Thugs- ATL Twins
Camera & Lenses- Red Epic w/ Cooke S4 Lenses
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Find DAZED on: dazeddigital.com/video
Facebook facebook.com/DazedandConfusedMagazine
Twitter twitter.com/dazedmagazine
Tumblr dazeddigital.tumblr.com
Pinterest pinterest.com/dazeddigital
Cast:BRTHR, LEGS MEDIA and Dazed
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Gateway to the Ganges
Daily life in the Indian holy cities of Rishikesh, Haridwar, and Devprayag. This region lies in the foothills of the Himalayas where the Ganges River descends from the mountains. I visited not knowing what to expect, and I was both awed and saddened by the experience. The beauty of nature and the Hindu ceremonies contrasted with the poverty and suffering on the streets. The people I met had a high-spirited resilience that seemed to stem from surviving and maintaining their devotion through a challenging life.
Music:
Anamóg
"We Wish It Was Never Light"
Filmed on Sony A7s
Cast:Brandon Li
Tags:travel, India, Devprayag, Haridwar, Rishikesh, Uttarakhand, Ganges, Ganga, Hindu, Hindi, sony and a7s
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Bad Day at the Office - Full Short Film
'Wes Anderson meets Lars Von Trier' -
firstshowing.net: bit.ly/1zwg1Sd
'Hilarious' - Gizmodo.com: bit.ly/14UzG1n
'This twisted short film takes a truly unique perspective on what makes a day good or bad ' - laughingsquid.com: bit.ly/1E3avbl
' Funny, corky, sad and confusing ' - Film Shortage
Wallace D. Popple's workday delivers a series of painful mishaps. Yet within this off-kilter tale about happiness lies a twist for the twisted.
Another Aesthetica Festival review!
"My favourite out of the bunch (ASFF 2014) was Bad Day At The Office, another short film to deliver Dr Suess-esque narration, explaining why a kick in the balls to start the day might indeed be quite a good thing."
Nouse.co.uk
"Bad Day at the Office (2013) gets the biggest laugh...The film portrays normality as masochism; in an inspired visual gag, we get a glimpse of this fictional company’s Employee of the Month sheet, a gallery of ever-more-crippled go-getters preparing for a long hospital stay."
Thedoublenegative.co.uk
Cast:STUDIO HANSA, Harriet Macdonald and si begg
Tags:bad day at the office, short film, nick scott, studio hansa, bad day and office
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BENDING JAWS
A recent purple blob in the Pacific sent a large scale west swell to the Hawaiian Islands. Debates were made whether or not the unusual angle of swell would work at Jaws. After a historic few days of surfing and arguably the best big wave ever caught by a woman, we'll let the images do the talking
MUSIC: RUELLE // UNTIL WE COME DOWN
SURFERS: PAIGE ALMS // ALBEE LAYER // MARCIO FREIRE // DANILO COUTO // KAI LENNY // RICKY WHITLOCK // FRANCISCO PORCELLA // TANNER HENDRICKSON //
CAPTURE & EDIT BY: DAN NORKUNAS
ADDITONAL CLIPS BY : JOHN DECESARE // JON SPENSER
THANKS TO: MATT SMITH // COCO WILL // JACE PANEBIANCO // POSSUM TORR
Tags:
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Flight to Seychelles islands
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OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the piece itself. Practically I still think it's nice that the viewer has to actively look for the names and not get too comfortable. Even if it means to see it a couple of times which surely is the best we can aim for as a free project ; )
How about the shoot? Well, prior to Prague we created more than 50 ideas I could play with. This was always the intention. Go out shooting with a tiny crew, acting like we're still in art school and be open for anything that might happen. That's why we shot everything on 2 Canon 5D's (that and having no budget off course). This was a really nice change for me. Normally I prepare commercial shoots to the very last detail and there's a lot more people involved. Savage helped us out big time in Prague. We also had some bad news. Due to his back problems Si Scott had to abandon the project and couldn't join the shoot.
When we came back from Prague I started editing straight away and soon came to the conclusion we had about 60 vfx shots to work on and no budget and increasingly less time. Remember that this project was a side dish for PostPanic, we had to work on commissioned jobs also. But everybody involved soon fell in love with the project, including STORM Postproduction who are our neighbors (luckily for us).
In the mean time we received the title list. It had about 70 names on it! That's when I found out that the dynamics I wanted to use would probably not work. Just too many names that would make the piece too long to just show random images. So in the plane towards Prague I thought of bringing in a tiny bit of narrative. Which turned out to be the beginning of the sequence (1st act). I wrote in a lead character that would relate to the viewer.
The idea was to trick the audience into thinking they're watching some kind of documentary. We basically follow a guy going home. Bit by bit his environment gets stranger and more uncomfortable to watch. Is he living in a war zone? Slowly the background takes over and the piece changes into an urban nightmare. And like a nightmare, the story/edit doesn't always make sense but makes you feel really uncomfortable. I also wanted the viewer to experience the nightmare. That's where the dark matter comes in. Dark matter is what I call the macro shot bits. Flashes that derail your train of thought like there's something eating away at your brain as you try to make sense of the nightmare. I wanted the viewer to go nuts, alongside with the cast. Erase the line between nightmare and reality. The end result is something you won't come across easily on your tv. And is also just another fun way to do titles.
The sound design and music made by Hecq added a lot to the feel and scale of the film. It clearly divides the 3 acts (1st act: up to execution, 2nd from execution, 3rd final shot) and makes completely different ideas and scenes feel coherent. It also emphasizes the dynamics of the film and brings the much needed pace at the end. It's been great working with Ben. We've been surfing the same wave length throughout the project.
Finally I want to thank everyone involved for making these titles possible. For creating something out of nothing. For showing so much love for something as dark as this.
CREDITS
Directed by Mischa Rozema
Story by Mischa Rozema & Si Scott
Production Company: PostPanic
Executive Producers: Jules Tervoort, Ania Markham
DoP: Jiri Malek, Mischa Rozema
Music & Sound Design: Hecq
Senior Producer: Annejes van Liempd
Production Assistant: Jacinta Ramaker
Production Designer: Roland Mylanus
Editor: Mischa Rozema
Prague Cast:
Main Hero: Vladan Bláha
Grafitti Guy: Tom Malar
Main Hero Sister: Katerina Galova
Post-Production: PostPanic
CG Supervisor: Ivor Goldberg
VFX Supervisor: Chris Staves
3D Artists: Jeroen Aerts, Matthijs Joor, Jurriën Boogert, Marnix Reckman, Adam Janeczek
2D Artist: Erwin van den IJssel
3D Interns: Cara To, Xander Clerckx
2D Interns: Mathijs Luijten, Per Westholm
Compositing: Chris Staves, Ivor Goldberg, Adam Janeczek, Matthijs Joor
Graphic Designs: Si Scott
Additional Graffiti Elements: Florian Stumpe
Matte Painting: Wieger Poutsma
Additional 3D and Compositing: Storm PostProduction
Production (Prague) by Savage:
Executive Producer: Klara Kralickova, Pavla Burgetova Callegari
Producer: Michaela Berkova
Production Assistant: Vojta Ruzicka
Prop master: Jan Fiala
Location Scout & Management: Petr Bastar, Adam Fuchs
Location: CREVISTON, a.s.
Tattoos made by: Wowa tattoo prague
Cast:OFFF, let's feed the future and PostPanic
Tags:OFFF, 2011, Titles, Postpanic, Si Scott and Mischa Rozema
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Arbor Skateboards :: James Kelly - Burn It Down
On a rare occasion, you see a video that makes you stop - stop what you’re doing, stop what you’re thinking, even stop how you’re breathing - a video that masters your emotions and alters your vitals. At that moment, when your heart jumps into your throat, and your nerve endings fire, you realize you’re seeing something memorable.
With that we invite you to see a piece we filmed with Arbor team rider, James Kelly, to support the launch of his new pro model. The final product stopped us in our tracks. It reminded us once again why in downhill skating James is called the American Dream. A title he’s been burning down for years with a humble approach and an unmatched intensity at speed.
About James: Born in Petaluma, CA - James grew up riding with some of downhill’s most influential skaters. For years, he’s been showing that there’s no road that can’t be conquered. He has perfected his abilities to skate anything at speed, while building the discipline required to keep calm when the consequences are high. James is no stranger to the racecourse and podium, yet he’s most at home on the hills surrounding his family cabin in the Western Sierras, where this video was filmed.
About the New Model: The new James Kelly Pro Model is the result of years of skating at speed. More hours than can be counted went into the design, refinement, and road testing. The shape reflects the rider, the lines he rides, and serious nature of what he does. The shape has a long wide platform, multiple wheelbase options, and the right amount of rocker. It provides versatility and confidence when approaching speed. Dimensions: length 38.50” – width: 9.75” – wheelbase: 27.00”-30.00”. See the new shape here: arborcollective.com/skateboards/products/james-kelly-pro-model/
About Arbor: The Arbor Collective was founded in 1995 and remains a family rooted in the experience and fueled by collaboration with athletes and artists who share a vision for forward thinking design. For more information on the Arbor Collective visit: arborcollective.com
Film/Edit: Jack Boston
Music: "Jim" Swans
Cast:Arbor Collective and Jack Boston
Tags:Arbor, Arbor Skateboards, James Kelly, Pro Model, Skateboarding, Downhill Skating, Standup Slides, Wipeout, Big Fall, Bail and 50 MPH
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Dj Said Energizer - Follow Me
Booking Said Energizer as a Dj +380631667210
Listen to my music here: soundcloud.com/said_energizer
My contacts:
said_energizer@mail.ru
vk.com/said.energizer
facebook.com/said.energizer
instagram.com/said_energizer2
Model: darialitvin@mail.ru
Cast:said_energizer
Tags:girl, sex, candy, sexy, erotic, dj, follow me, drive, said energizer, said, energizer, yes boss, krasnova, боди, саид, закат, девушка, кепка and хип-хоп
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Arbor Skateboards :: James Kelly - Burn It Down
On a rare occasion, you see a video that makes you stop - stop what you’re doing, stop what you’re thinking, even stop how you’re breathing - a video that masters your emotions and alters your vitals. At that moment, when your heart jumps into your throat, and your nerve endings fire, you realize you’re seeing something memorable.
With that we invite you to see a piece we filmed with Arbor team rider, James Kelly, to support the launch of his new pro model. The final product stopped us in our tracks. It reminded us once again why in downhill skating James is called the American Dream. A title he’s been burning down for years with a humble approach and an unmatched intensity at speed.
About James: Born in Petaluma, CA - James grew up riding with some of downhill’s most influential skaters. For years, he’s been showing that there’s no road that can’t be conquered. He has perfected his abilities to skate anything at speed, while building the discipline required to keep calm when the consequences are high. James is no stranger to the racecourse and podium, yet he’s most at home on the hills surrounding his family cabin in the Western Sierras, where this video was filmed.
About the New Model: The new James Kelly Pro Model is the result of years of skating at speed. More hours than can be counted went into the design, refinement, and road testing. The shape reflects the rider, the lines he rides, and serious nature of what he does. The shape has a long wide platform, multiple wheelbase options, and the right amount of rocker. It provides versatility and confidence when approaching speed. Dimensions: length 38.50” – width: 9.75” – wheelbase: 27.00”-30.00”. See the new shape here: arborcollective.com/skateboards/products/james-kelly-pro-model/
About Arbor: The Arbor Collective was founded in 1995 and remains a family rooted in the experience and fueled by collaboration with athletes and artists who share a vision for forward thinking design. For more information on the Arbor Collective visit: arborcollective.com
Film/Edit: Jack Boston
Music: "Jim" Swans
Cast:Arbor Collective and Jack Boston
Tags:Arbor, Arbor Skateboards, James Kelly, Pro Model, Skateboarding, Downhill Skating, Standup Slides, Wipeout, Big Fall, Bail and 50 MPH
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